好的开始
主因为美国健身馆负责人的位子被占，所以被安排到韩国健身馆工作，很是不得志，决心将韩国健身馆办好了，杀回美国去。健身馆里一共有员工三男两女，竞相争取会员，生意还算红火。但是男女之间酒醉乱性，相互嫉妒，相互爱慕，搞出了很多笑话。最后，一直郁郁不得志的男二号抱得美人归，与那个不得志的馆长好了eee
在线播放
剧情简介
主因为美国健身馆负责人的位子被占，所以被安排到韩国健身馆工作，很是不得志，决心将韩国健身馆办好了，杀回美国去。健身馆里一共有员工三男两女，竞相争取会员，生意还算红火。但是男女之间酒醉乱性，相互嫉妒，相互爱慕，搞出了很多笑话。最后，一直郁郁不得志的男二号抱得美人归，与那个不得志的馆长好了eee
同类好片
总统的蛋糕
Banin Ahmad Nayef,Sajad Mohamad Qasem,Waheed Thabet Khreibat,Rahim AlHaj最后一根稻草
杰瑞米·西斯托,杰西卡·贝尔金,格伦·古尔德,Levon Panek,Tara Raani,Jack DiFalco,泰勒·科瓦尔斯基,Sebastian Delascasas,Christopher M. Lopes,Brian Wolfe,Kayla Harrity,Michael Giannone,Joji Otani-Hansen逆转上半场
梁咏琪,陈湛文,凌文龙,梁雍婷,朱栢康,陈辉虹猎梦人
陈孝良,米咪要是晴天就好了
永野芽郁,芳根京子,萩原利久,江口德子,稻垣吾郎,倍赏美津子,吉行和子,藤间爽子,丰岛花,富山绘里子,布施千贺子,高桥努,白本彩奈,宫泽美保超时空猎杀
苗韵桐,郝艾莉,张晶导演精选
附身
1985年，浓雾笼罩的郊外，周日早晨少女丽莎·约翰逊（阿比盖尔·布蕾斯琳 Abigail Breslin 饰）被弟弟罗比（Peter DaCunha 饰）吵醒。她颇感烦恼地起床，按照妈妈（米歇尔·诺尔顿 Michelle Nolden 饰）的指示洗衣服，爸爸布鲁斯（彼德·奥德博拉治 Peter Outerbridge 饰）则在地下室修着汽车。看似平凡无奇的普通人家，却弥漫着诡异神秘的气息。不知曾几何时，丽莎发现每天重复着同样的内容，家人反复干着同样的事、说着同样的话、度过同一个浓雾笼罩的周末。她尝试改变这一切，然而无从下手，此外更有带着死神气息的男子警告丽莎不要破坏当前的一切。无法忍受折磨的丽莎，不可避免落入过去、现在和未来的夹缝中，局势完全失控……
幸存者2015
故事讲述一个男人在森林深处一个小农场里，保护他的土地和作物，但长期的孤独造成了他失去控制...
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster