小湊よつ葉 Yotsuha Promised clover
《小湊よつ葉 Yotsuha Promised clover》线上看,由导演,等演员领衔主演,影片主要讲述了小湊よつ葉 Yotsuha Promised clover,小湊よつ葉 Yotsuha Promised clover"
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新的景色
黑崎煌代,远藤宪一,井川遥,木龙麻生,菊池亚希子,中山慎吾,吉冈睦雄,苏钰淳,服部树咲,石田莉子,荒生凛太郎,中村苍高野任职园境建筑师，规划涩谷宫下公园重建；露宿者被驱赶，让路予结合户外休憩与购物商场的新地标。为了工作牺牲家庭，大刀阔斧改造都市面貌，自己却家破人亡了。十年后，一盆蝴蝶兰令父子重遇，女儿已不再在乎长期缺席的父亲。重回故地，亲子关系能否重建？团冢唯我首部长片，善用建筑空间显现家庭创伤，静谧中蕴藏情感波动，再以破碎灯泡让记忆回魂。被离弃的世代游走于冷漠城市，重新审视家人之间的距离之余，亦察看一座城市于急速变形下残留的空洞。
天伦乐
William Powell,Irene Dunne,Elizabeth TaylorClarence Day (William Powell), is a benevolent despot of his 1880s New York City household. His wife Vinnie (Irene Dunne), is the real head of the household. The anecdotal story, encompassing such details as Clarence (Jimmy Lydon), the eldest son's romance with pretty out-of-towner Mary (Elizabeth Taylor). Vinnie tries to get her headstrong husband baptized, else he'll never be able to enter the Kingdom of God.
阴阳师0
山崎贤人,染谷将太,奈绪,安藤政信,村上虹郎,板垣李光人,国村隼,北村一辉,小林薰讲述安倍晴明学生时代的故事。在阴阳寮，被誉为天才的安倍晴明与其他学生截然不同，他是个有些讨人厌且对成为阴阳师毫无兴趣的怪人。 有一天，晴明受到贵族源博雅的委托，解决袭击皇族徽子女王的怪异现象。尽管两人经常发生冲突，但他们还是一起追寻真相。而一名学生的离奇死亡成为事件火索火索，引发了卷入平安京的邪恶阴谋和诅咒的动乱。
爱情失事
丝柯James Lance Bass,阿曼达·贝尼斯,乔纳森·班耐特Jonathan Bennett,佛莱德·威拉特,吉米-林·辛格勒 Jamie-Lynn Sigler在珍妮（阿曼达·贝尼斯 Amanda Bynes 饰）的眼中，歌星杰森（克里斯·卡马克 Chris Carmack 饰）就是她的白马王子，对于苦苦追求她的瑞恩（乔纳森·本内特 Jonathan Bennett 饰），珍妮则选择视而不见。一次意外中，珍妮和杰森遭遇了海难双双漂流到了一座小岛上，不敢相信生命中竟然会有如此好事的珍妮很快就发现，这座岛并非孤岛，而是一处海滨度假村。 为了制造和偶像独处的机会，珍妮对杰森撒了谎，而维系谎言不被拆穿的任务则落到了瑞恩的头上。阿莱克斯（杰米·林恩·迪斯卡拉 Jamie-Lynn DiScala 饰）的到来让珍妮的心里敲响了警钟，因为两人一直都是情敌关系，而此时的瑞恩则因为被珍妮拒绝而陷入了沮丧的情绪中无法自拔。暴风雨来袭，小岛成为了海上的一叶扁舟，谁能够拯救身陷险境的珍妮呢？
我的小狮王
Gérard Darmon,卢·拉布雷希特,莱昂·洛雷亚,蒂博·德·蒙塔朗贝尔King, a trafficked lion cub, escapes from the airport in mid-transit and finds shelter in the home of Inès and Alex, 12 and 15. The siblings come up with a crazy scheme: to bring King back to Africa. Unfortunately, the customs agents on their tail don't make their mission easier. But soon, Max, the kooky grandfather they've only met twice before, joins their adventure... and from then on, the sky's the limit.
纽约的女人们
埃娃·马特斯,Angela Schmid,玛吉特·卡斯滕森A film version of a play Fassbinder directed in Hamburg, Clare Booth Luce's "The Women". It gave Fassbinder an opportunity to indulge his passion for working with women - there are forty women in the play and no men. The play dates from the 1930s, and Fassbinder was accused by the critics of being anti-women (a frequent criticism of late). As usual, he chose to work "against" the text, and from this has constructed an entertaining and engaging play about love between upper-class women with nothing better to do than sneer at others when things go wrong with their lives and loves.